Aulin also gained renown as a composer. His Violin Concerto No. 3, for example, was one of the works in Marteau's standard repertoire. His personal dealings with August Strindberg were remarkable. Apart from Aulin, Ture Rangström was the only composer on friendly terms with the eccentric dramatist. He alone gave the peace-loving Aulin such a kid-glove treatment. Strindberg bombarded him with suggestions for compositions and wanted him to transform his dramas into operas. In the end, however, these ideas did not produce any concrete results. Aulin nevertheless wrote a wonderful piece of incidental music for Mäster Olof, and Peterson-Berger characterized this work as follows: »Everything is maintained in a simple, euphonious Swedish style with quiet allusions to the German Renaissance as we know it, for instance, from the Meistersinger.«
Works:
• Aulin, T: Dances from Gotland
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