Alfred Deller's Dowland has become part of our history. The most legendary of English countertenors distilled the very essence of the melancholy of the 17th century English song in general and of the composer of the Lachrimae in particular.
Works:
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Dowland: Can she excuse my wrongs? (First Booke of Songes, 1597)
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Dowland: Captain Digorie Pipers Galliard
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Dowland: Come again, sweet love doth now invite
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Dowland: Come away, come, sweet love
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Dowland: Come heavy sleep
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Dowland: Flow my teares (Lacrimæ)
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Dowland: Flow not so fast, ye fountains
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Dowland: Fortune my foe
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Dowland: Frog Galliard
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Dowland: From silent night
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Dowland: Galliard
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Dowland: Go, nightly cares
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Dowland: I saw my Lady weepe
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Dowland: If my complaints could passions move
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Dowland: In darkness let me dwell
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Dowland: Katherine Darcy's Galliard
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Dowland: Lachrimae Pavan, P. 15
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Dowland: Lady Hunsdon's Puffe
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Dowland: Lasso vita mia
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Dowland: Lute Songs
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Dowland: Me, me, and none but me
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Dowland: Melancholy Galliard
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Dowland: My Lord Chamberlaine his Galliard
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Dowland: My Lord Willoughby's Welcome Home
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Dowland: Orlando Sleepeth
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Dowland: Shall I sue?
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Dowland: Sir John Smith, His Almain
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Dowland: Sorrow, stay
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Dowland: Tarleton's Riserrectione
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Dowland: The First Galliard
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Dowland: Weepe you no more, sad fountaines
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Dowland: What if I never speed?
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Dowland: Wilt thou unkind thus reave me?