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It represents the composer’s first introduction to the characters of his two alter-egos: Florestan, ready to conquer the musical world with his fire and passion, and Eusebius, the daydreamer and poet who also speaks in Kinderszenen’s last piece.
Stern’s own composition is a homage to Schumann, composed after reading his critical article on pianists who do not compose. Schumann thought composition should be a part of all musicians’ lives, an ideal embraced by Edna Stern and one leading the pianist on a new path of her own.
Works:
•Schumann: Carnaval, Op. 9
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