Although Bach clearly felt at home composing for the recorder, featuring it in major works including the Brandenburg Concertos and several cantatas, he never composed a concerto for solo recorder – in fact, he only wrote original solo concertos for harpsichord and violin. However, an examination of Bach’s compositional practices reveals that it was customary during his era to adapt or reuse musical material in new compositions. Taking this into consideration, the creators of this recording have drawn on a range of sources to answer the question of how a solo recorder concerto by Bach might have sounded.
Presented here are the four full recorder concertos, based on material taken from existing harpsichord concertos and cantata movements, which Bach himself often reused or transcribed for different instrumentation.
Played by Erik Bosgraaf and Ensemble Cordevento, performed on a range of recorders and period instruments. Gramophone writes about this recording: “Erik Bosgraaf’s recorder-playing is fluent and lively in fast music, and his five colleagues (single strings and harpsichord) provide accompaniments that are lean, stylish and precise. His rapid passagework is impressive and Ensemble Cordevento’s playing of fast music is joyful and accomplished.” The recording is still available in CD format (BC 94296).
Works:
•Johann Sebastian Bach: Concerto in G Major, Arias from Cantatas BWV 215 and 32, (Transcribed by Thiemo Wind): I. [Allegro]
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