1945’s Harawi was the first of Messiaen’s trilogy on earthly love, a joyous celebration of the same sexuality that Wagner explored, shrouded in guilt, in Tristan and Isolde. Dedicated to his then ailing wife Claire Delbos, this highly charged work employs a range of extended techniques, with large sections of the text in Peruvian, and nonsense phonemes of Messiaen’s own invention. Dynamics range from hushed whispers to explosive abandon, a difficult piece to pull off but one that Hetna Regitze Bruun (soprano), Kristoffer Hyldig (piano) really sink their teeth into. • Joshua Meggitt, Cyclic Defrost, January 2010
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