Smetana described the work as “intimate and private music for four instruments talking about my life”. However, the opposite was true of this epic score of programme music. Until this time the techniques used by Smetana in this quartet had only been used by composers writing for symphony orchestra. He used symphonic techniques with brilliant effect for chamber music.
Antonín Dvořák (1841-1904) String Quartet No 12 in F Major, American, Op 96From 1892 to 1895 Dvořák was the director of the National Conservatory in New York. He composed many masterpieces during this time and one of them was his String quartet in F Major, Op.96, American.
The American is one of Dvořák’s most played works and one of the most popular works in the chamber music repertoire. Filled with joy and optimism, Dvořák tried to capture the characteristics of American music, using pentatonic scales, syncopation and melodic themes of typical American revue music.
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