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The programme takes us through various troubled emotional states involving love: a lover dying of love, the partenza amorosa (or lovers’ separation), even a shepherd accidentally wounding his loved one, but also the outpouring of grief in the Lagrime d’amante al sepolcro dell’amata, a commissioned madrigal cycle to newly written words lamenting the death in 1608 of the promising singer Caterina Martinelli, a pupil of the composer, but also that of Monteverdi’s wife. This work and others on this recording involved the lamented bass Daniele Carnovich to whom the group pay tribute; the sessions were completed by Matteo Bellotto.
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