Her latest project, with sonatas by Josef Antonin Stepan (or Steffan, depending on the sources), reflects her patient, respectful and profoundly musical approach to her own new discoveries. These newly found sonatas, which she defines as “a sort of missing link in the transition from harpsichord to fortepiano” and being “at he forefront of the development to a new era of composition” with “flavours of Mozart, Haydn, and early Beethoven”, were recorded in Berlin and set yet another milestone in Meyerson’s enthusiastic search for injustly neglected repertoire.
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