That influence is as indisputable as it is intriguing, especially when one reflects on the differing nature of the two cultures: where the Italian style glitters with virtuosity, power and extraversion, the French cultivates the magic of sound, subtle colours, and the formal perfection of music.
André Lislevand, the son of a French mother and a Norwegian father but born and raised in Italy, here in the company of Paola Erdas at the harpsichord and Jadran Duncumb on the theorbo (and with a cameo appearance from André’s Norwegian father, Rolf Lislevand), perfectly embodies the musical internationalism that is the focus of the album, in which Forqueray’s visionary music for viol is cross-pollinated by the presence of other composers from his time, in a continuous interplay of wonderful stylistic ambiguity.
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