Nor is their singing generalized in the modern manner. It's just natural and flowing, and because it is, the opera becomes more moving and satisfying. Listen to the pair's last scene: it'll spoil you for any other version. Elie Cohen's conducting is just as idiomatic--fluid tempos, nothing underscored or exaggerated, and typically French in its elegance and clarity. The rest of the cast is up to snuff, and Naxos adds Thill's superb recordings of arias from Massenet's Le Cid, Hérodiade, Manon, and Sapho. They're worth Naxos' modest price by themselves, and when you add the attraction of Ward Marston's outstanding sound restoration, this historical offering becomes a mandatory purchase." • Dan Davis, ClassicsToday.com, February 2001
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