With his selection of highly virtuosic arias from operas by Rossini, Giorgio Caoduro reminds us of the dazzling richness of the repertoire composed for this type of voice, a repertoire in which the old roles of basso buffo, the more modern ones of tyrants, afflicted fathers or repentant criminals converged, and finally where the roles of mature heroes were already appearing, roles to which Verdi would give, a few years later, their letters of nobility.
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