Freeman and Känzig share that passion for the centre of gravity of the Jazz tradition, albeit with one precondition: that of transformation. And, with all their abilities for strong, heavy grooves, there is that preference for me-lody. „If you groove like hell and there’s no melody, it makes no sense.” (Känzig).
Peter Rüedi writes in the liner notes to The Arrival: „We could also read ‘The Arrival’ as something of an arrival at the centre of Jazz: Jazz, in the present tense. Or as it were: tradition in transition.
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