With this album, Tortorelli and Meluso have provided a sequel to their Brilliant Classics recording of the sonatas for violin and viola, released late in 2016. The previous disc was praised in online reviews for ‘the excellent playing of Gran Duo Italiano’ (Lynn Rene Bailey) and the sense, so characteristic of the composer, that ‘irony is always just around the corner when it comes to Milhaud, and the wink and sardonic smile is there along with whatever mock pomposity he comes up with’ (Dean Frey). They are now joined by Pierluigi Bernard, first of all for the lively Suite from 1936 which Milhaud wrote for all three instruments: an unusual combination in itself, but then Milhaud’s facility allowed him to write for almost any imaginable ensemble, while always coming up withmusic that is grateful for the musicians, pleasant for the listeners and inimitably personal to himself.
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