When in the summer of 1889 Dvořák got down to writing his second quartet, he complained of having a “slow hand”, yet stressed that he had plenty of ideas: “My head is full of it ... I have finished three movements of a new quartet with piano, and the finale will be ready in a few days. It has gone smoothly beyond expectation, with the melodies rolling in to me.” The sheer beauty of the piece was cogently described by the prominent Vienna-based critic Eduard Hanslick: “The quartet requires that the listener be considerably attentive and well informed, which, however, really pays off.” The ensemble bearing the composer’s name have linked up to the feted tradition of their great teachers – Ivan Moravec, Josef Vlach and Milan Škampa. They present Dvořák at his finest, both conventional and sophisticated.
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