Gustav Mahler's Symphony No. 9 in D major, his last completed symphony (he succumbed to the Curse of the Ninth), is an extreme work: it's gigantic and it encompasses a wide variety of moods even for Mahler, from chaotic tumult to bitter disillusionment that seems to forecast the war to come in all but words, to utter float-among-the-clouds transcendence at the end. Conductors, accordingly, tend to favor extreme interpretations of the symphony, from Leonard Bernstein's awesomely drawn-out finale to the recent ultra-premium reading by Simon Rattle, taking full advantage of the instrumental powers of the Berlin Philharmonic. Here Mark Elder leads the prime British Mahler ensemble, the Hall? Orchestra of Manchester, in a reading whose appeal may lie in the fact that it avoids extremes. Elder's approach is to keep the tempi to the middle of the road and let the players of the Hall? Orchestra, well-schooled in this music since the days of John Barbirolli, do their thing. The opening movement is expansive and...
Nasza strona internetowa używa plików cookies (tzw. ciasteczka) w celach statystycznych oraz funkcjonalnych. Dzięki nim możemy indywidualnie dostosować stronę do twoich potrzeb.
Każdy może zaakceptować pliki cookies albo ma możliwość wyłączenia ich w przeglądarce, dzięki czemu nie będą zbierane żadne informacje.
Dodatkowe informacje znajdziesz w naszym regulaminie.