Charpentier: O Maria, Psaumes & Motets

Ensemble Correspondances;
Daucé, Sébastien

ZZT 100601

In fabulous acoustics, Sébastien Daucé and his musicians develop a fragrant, transparent tonal quality in which Charpentier's artful movements unfold to their full potential. Musical affects such as the chromaticism of mourning, typical of the time, and the harmonic sharpness that often arises from this, are impressively effective due to the excellent intonation of all performers • (Fono Forum, 05 / 2011) TAK 3760009292307 Zig Zag Territoires ZZT 100801 F5 68,00 22.00 CD 1 Rosenmüller, Johann Rosenmüller : Beatus Vir? - Motets and Sonates Gli Incogniti;Beyer, Amandine;Andueza, Raquel NIE Muzyka klasyczna Barok Viola da gamba;Klawesyn;Teorba;•Motet;◦Sopran NIE Rosenmüller, a prodigiously talented German musician and composer, found himself imprisoned in Leipzig for obscure ‘sex offences’: had his presence there become embarrassing? But he managed to escape to Hamburg, then reached the free and ‘Most Serene’ Republic of Venice, where he eventually taught at the Ospedale della Pietà, long before Vivaldi.Amandine Beyer and Gli Incogniti have discovered these unpublished vocal pieces in which majestic, quasi-operatic sinfonias introduce psalms or other liturgical texts, with voices and instruments answering each other colla parte – as if the composer wanted each musician or singer to transcend his or her own limits.The voice can also sometimes flare up like a flame, an existential interrogation.‘The “Beatus vir” of the Nisi Dominus is a perfect example of this, with its vocal line which enters so gently that it seems like a tentative question – “Beatus vir?” Is the man blessed? – and is transformed into a whirlwind of sensations, in an almost desperate cry that remains unanswered’ (Amandine Beyer).Amandine Beyer has just been appointed a Professor at the Schola Cantorum in Basel in succession to Chiara Banchini. TAK 3760009292314 Zig Zag Territoires ZZT 100802 F5 68,00 23.00 CD 1 Brahms, Johannes Brahms: Sonatas for Violin & Piano Farjot, Johan;Laurenceau, Genevieve NIE Muzyka klasyczna Romantyzm Fortepian;•Muzyka kameralna;Skrzypce NIE Zig-Zag Territoires recently discovered Geneviève Laurenceau’s talent, brillant violonist, super-solist of the orchestre du capitole de Toulouse, 1er price of Novossibirsk international competition & Grand Prix of the Académie Maurice Ravel. She is partner of ensemble Contraste (Arnaud Thorette & Johan Farjot) with whom we recorded Café 1930 arrangements of tangos in 2009.

Geneviève Laurenceau, prodigy violonist, goes very young to Germany to perfect her violin with the german master Wolfgang Marschner once Konzertmeister of the Dresden Staatskapelle and later with the russian master Zakhar Bron major teacher (Vadim Repin was one of his pupils) and finally comes back to her french roots with Jean Jacques Kantorow.

She waits until 33 years old and a clear maturity to record with Johan Farjot on a Stradivarius violin of 1682, her first solo recording in a major disputed repertoire, highest point of Brahms inspiration and romantic chamber music : the three sonatas for violin and piano TAK 3760009292345 Zig Zag Territoires ZZT 100901 F5 68,00 23.00 CD 1 Mozart, Wolfgang Amadeus Mozart: Concertos Nos. 9 Jeune homme", 12 & 14

CD

Muzyka klasyczna

Zig Zag Territoires

28-06-2010

3760009292291