Just as the relationship between letter and illumination is constantly being revisited, Judith Adler de Oliveira has reworked age-old Armenian themes in a spirit that is sometimes faithful, sometimes at odds with tradition. The initial theme is always audible, and its anatomy will give the initial impetus to the composition, which moves insensitively, surreptitiously, from one musical language to another.
Some of the themes chosen already appear in the Komitas/Aslamazyan Miniatures, thus tracing a gateway to this essential work in the Akhtamar Quartet's repertoire.
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