Francis Cutting (1550-1603) was one of the major lute composers of Elizabethan England, yet little is known about his life. He may not even have been a professional composer, as he is referred to as “A gentleman” and his works were not widely circulated like those of his fellow composers. • Cutting’s lute works have been preserved in three manuscripts written by Matthew Holmes and in “A new booke of Tabliture’ published in 1596 in London by William Barley. • His music is characterized by a preference for a ‘learned’ polyphonic fabric, although he also wrote light pieces using simple homophony. In the pavans and galliards we often see a complex interplay between chordal and imitative writing. Harmonically, Cutting’s music is sometimes forward-looking, with its extensive use of sequences and occasional flashes of harmonic daring. • Played by Domenico Cerasani, an Italian lute and guitar player, as well as an avid scholar. He made already a successful recording for Brilliant Classics: the Raimondo Manuscript.
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