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Throughout his life, Bach remained a passionate composer of sacred cantatas, which underpinned his unshakeable commitment to the Lutheran church. While he also turned his hand to secular cantatas, he remains best known for his religious works, and this collection delves into a varied selection representing all the important festivals in the Christian calendar. Along with some of the best-known examples, such as ‘Ein feste Burg ist unser Gott’ BWV80, with its triumphant timpani and trumpets, listeners will also find a treasure trove of lesser-known gems. With Bach, though, a lack of popularity rarely means a drop in quality: indeed, a wealth of timbre and colour is to be found in some of his earlier works, such as ‘Aus der tiefen, rufe ich, Herr, zu dir’ BWV131, a setting of the psalm ‘De Profundis’. In this, as in many of his cantatas, we are left spellbound by the imaginative interplay between chorus and soloists, climaxing in a resonating cry of ‘Israel!’ The religious texts, which at the time of their use had recently been translated into Bach’s native German, are exploited for all their lyricism and spiritual meaning; whether dwelling mournfully on ‘Seufzer’ (sighing), or celebrating with a resonant ‘Hallelujah!’, Bach’s sacred cantatas will stir any listener, religious or not.