Renowned in his lifetime, Giacomo Meyerbeer – born Jakob Liebmann Meyer Beer – was one of the first opera composers to truly establish himself as master of the genre. His fame was at a height in the mid 19th century, as he managed to produce hit after hit in the grand opéra style. Like his contemporary Halévy, he was one of the first truly successful Jewish composers, at a time when Jews’ roles in society were changing fast; many of his operas, therefore, explore themes of societal exclusion and otherness. These include Robert le Diable, in which the eponymous Robert is the son of the Devil, the spectacular Les Huguenots, which depicts the 1572 massacre of French Huguenots at the hands of the ruling Catholics, and Le Prophète, featuring the sinister Anabaptist sect. Although Meyerbeer takes on big themes – good versus evil, the clash of large political forces – his true compositional strength lies in his masterful portrayal of the characters’ emotional anguish and joy, as the audience mourns and celebrates with them throughout.
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