Marco Uccellini, Giovanni Gabrieli, Salomone Rossi, Biagio Marini, Giovanni Battista Buonamente, Giovanni Battista Fontana, Dario Castello, Francesco Cavalli • Although the first violin virtuosos came mainly from Cremona, Brescia or Mantua, it was Venice that swiftly emerged as the principal centre for the development of instrumental music. Moreover, it was there that most collections of this music were printed all through the seventeenth century. It is curious to note that all these virtuosos obviously enjoyed sharing their success with their colleagues: for, alongside works for one or two violins and continuo, almost all the composer-violinists gathered together on this disc conceived sonate, canzone or sinfonie for ensembles of three or four violins. In addition, these compositions often make use of bichoral or echo effects. All this was happening as part of the discovery of that nascent virtuosity so characteristic of the Baroque period, as a result of which instrumentalists devised many new effects, such as the use of double stopping, and drew attention to their artistry with virtuoso runs akin to the extravagant language of the toccata.
The Time of Monteverdi - historia muzyki, wczesny barok 1589 - 1670
RIC 107
Napisz recenzję dla: Quattro violini a Venezia
Zapytaj o dostępność produktu
Twoje zapytanie:
Odpowiemy na adres:
Produkt został dodany do koszyka
Quattro violini a Venezia
1 szt
79,00 zł
Nasza strona internetowa używa plików cookies (tzw. ciasteczka) w celach statystycznych oraz funkcjonalnych. Dzięki nim możemy indywidualnie dostosować stronę do twoich potrzeb.
Każdy może zaakceptować pliki cookies albo ma możliwość wyłączenia ich w przeglądarce, dzięki czemu nie będą zbierane żadne informacje.
Dodatkowe informacje znajdziesz w naszym regulaminie.