This Beethoven Sonata trilogy has become the reference in the form of dialogue called 'Classical sonata', each of the three having its own technical step given the leadership from keyboard to the string instrument. No.5, often called 'Spring' sonata, has been modelled on that of Haydn and Mozart. No.6 is yet "for the pianoforte with the accompaniment of a violin", a gracious work with a fascinating central adagio molto espressivo in D …with Richter. No.9, the 'Kreutzer-Sonata', is arguably the first release for violin, with the help of a keyboard, the violin’s unaccompanied entry at the beginning of the andante con variazoni opens a new era… with Oistrakh.
Works:
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Sonata For Piano And Violon No.5 In F Major, Op.24 'Spring'
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Sonata For Piano And Violon No.6 In A Major, Op.30 No.1
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Sonata For Piano And Violin No.9 In A Major, Op.47 'Kreutzer'