The relationships between living beings, existences whose paths cross, unexpected death and reborn nature are the themes that Signes deals with. Even before the choreography began to emerge, the painter Olivier Debré had already given the ballet a scenic framework by designing the stage sets, and the choreographer Carolyn Carlson had given the ballet a variety of inspirations for the design of the material.•
The composer of the music for Signes, René Aubry, born in 1956, is a familiar companion of Carolyn Carlson. The musician and the American choreographer have been working together for almost thirty years now; the ballets Steppe and Après la pluie are exemplary successes of this artistic community, which reached a further high point with the premiere of Signes on 27 May 1997 at the Paris Bastille Opera.•
René Aubry, who found his way to music as an autodidact, is also successful as a composer in other fields beyond his success in ballet: an intense artistic community links him to Philippe Genty's puppet theatre, and Aubry is also a successful film composer - the music for La Révolte des enfants (1991), Killer Kid (1994) and Malabar Princess (2003) was written by him.
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