Whereas the strengths of the piano, as a hammer or percussion instrument, are based on virtuosity, dexterity and possibilities of different accents, the harmonium is particularly convincing because of an expressivity through sound production by means of free reeds. A variety of timbres, as well as crescendo and decrescendo on sustained tones, are its principal domain.
Karg-Elert’s Wagner transcriptions deserve a position of importance, for his artistic standards go beyond pure adaptation and the orchestral aspect is uniquely shown to advantage, especially in these harmonium-piano duo versions.
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