Bach: Die Kunst der Fuge

Bonizzoni, Fabio;
Uchimura, Mariko

GCD P31510

The fact that Johann Sebastian Bach may have been working on The Art of Fugue BWV1080 up until the point that he died and the fact that the work's concluding contrapunctus may have been left incomplete are just two factors which have subsequently allowed posterity's imagination to operate in full flight. When Bach passed away, without further delay his sons busied themselves preparing this score work for printing and were the first in nurturing the legend that Bach, incapable of completing the final contrapunctus, dictated a four-part chorale on his deathbed in order to compensate for the abrupt end and as a way of saying farewell ... In any case, what we are left with is a unique composition which for a great deal of time has been considered as a purely theoretical exercise and one which was not intended to be performed. Nowadays, however, many experts think otherwise and among them is Fabio Bonizzoni, who is convinced that this is music written for a keyboard instrument, and very likely for a harpsichord. He has opted with his recording for the structure of Bach's first autograph version, the so-called P200 manuscript, making use thereby of an additional harpsichord for four of the contrapuncti, something which was suggested by Bach himself in that manuscript.

CD

Muzyka klasyczna

Glossa

15-01-2011

8424562315105