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Of these works, nine in all, there are also several rather tantalising fragments and odd movements, and all betray in the keyboard writing, the composer’s genius as a violinist. The right hand plays violinistic figurations, whilst the left more often than not plays a simple bass line. Interestingly, many of these concertos are arrangements by Vivaldi of concertos for other forces with the exception of RV541 and 542 - both composed as violin and organ concertos. The 2nd movement of RV541 is especially effective with the organ accompanying the violin with a discreet bass line and three-note chords on the right hand. Vivaldi calls for an improvised cadenza in the finale.
Works:
• Vivaldi: Concerto in C major for violin, traverso & organ RV779
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