His music is non-descriptive, not trying to depict anything outside of itself, not telling a story other than its own. The album is called Anklam simply because that’s where it was recorded. It is split into twelve pieces just to give it a conceivable structure. The parts have numbers, as they together form a sort of larger musical structure. Any intrinsic meaning, inner beauty or musical logic remains at the listener’s disposal to be discovered, heard or felt. Fridolin Blumer opens a vast space of possibilities of understanding and insight by staying as grounded and elementary as possible. In this way, he creates a sonic artwork that is at the same time spiritual and deeply human.
“The line I trace with my feet walking to the museum is more important and more beautiful than the lines I find there hung up on the walls.” (F. Hundertwasser)
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