"A rich and dark-toned voice, and Danz uses it with confidence and a sense of style." klassik.com 11/04: "The pianist and initiator of the Mammoth project, Cord Garben, has this time chosen the contralto Ingeborg Danz - an excellent choice! Mrs Danz, well proven in the lied and oratorio repertoire, has a very has a very beautiful, clear voice, wonderfully balanced from mezzo-high to Wonderfully balanced voice with a velvety timbre Thanks to her clear lines, her alto is ideal for the loewe's predominantly lyrical songs, but also in the epic ballads in the epic ballads, which also contain abrupt Changes in mood, she brings the necessary flexibility Flexibility."• musicweb
Works:
•Loewe, C: 4 Legenden, Op. 75
•Loewe, C: Ali und Fatme Op. 10 H.II,2
•Loewe, C: Allmacht Gottes Op. 89,3Loewe, C: An die Muse, Graf Eberhard Weissdorn Op. 9, H. IV,5
•Loewe, C: Balladen (3), Op. 129
•Loewe, C: Der Feldherr Op. 66,1
•Loewe, C: Der fuenfte Mai
•Loewe, C: Der Teufel Op. 129,1
•Loewe, C: Der Weichdorn Op. 75,2
•Loewe, C: Des Maedchens Wunsch und Gestaendnis Op. 89,4
•Loewe, C: Die Einladung Op. 70,1
•Loewe, C: Die Jungfrau und der Tod Op. 9, H.II,5
•Loewe, C: Die Oasis Op. 10 H.I,4
•Loewe, C: Die Sterne Op. 69,4
•Loewe, C: Ewige Liebe
•Loewe, C: Lied eines Voegeleins in der Oasis Op. 10, H.I,5
•Loewe, C: Lieder (6), Op. 89
•Loewe, C: Maisuna am Brunnen Op. 10 H.II,1
•Loewe, C: Nachgelassene Gedichte (6)
•Loewe, C: Salvum fac regem
•Loewe, C: Serbischer Liederkreis Op. 15,1-6
•Loewe, C: St. Johannes und das Wuermlein, Op. 35 No. 1