It was Bach himself who founded the tradition of transcribing his own music for varying instrumental groupings. Robert King has arranged and adapted these six works to involve a wide range of instrumental colours. Five melody instruments (two violins, viola, oboe and oboe d'amore) create a variety of instrumental colours, underpinned by a similarly diverse continuo accompaniment of cello, theorbo, harpsichord and chamber organ.
An outstanding group of instrumentalists – Kati Debretzeni and Huw Daniel violins, Rose Redgrave viola and Frances Norbury oboe & oboe d’amore – and an equally fine continuo team (Robin Michael cello, Eligio Quinteiro theorbo, Robert King harpsichord & organ) brings a deliciously intimate and conversational quality to Bach’s music, quite different to that achieved at the organ.
Works:
•Astorga: Che ti giova, amor crudele, L. 31
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