Kowalski’s output of more than 250 Lieder reflects the tonal and formal aesthetics of the late 19th century. His songs were performed and sometimes premiered or recorded by prominent singers and pianists, and about one third were published by reputable German and Austrian companies—before 1933, and in 1934, respectively.
Kowalski’s songs are nearly all in German, yet they represent a wide range of poetic styles, subjects, and periods, as well as cultural, linguistic, and spiritual origins.
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