Leopold Godowsky (1870-1938), one of the greatest pianists in history, was fascinated by Chopin’s Etudes, and made his own enhanced transcriptions of them, to be divided in three types: a strict transcription for the left hand alone, free transcriptions, in which the text is either inverted, combined with another study or imitated through the medium of another study, and Cantus Firmus, where the left hand plays the melody and the right hand is freely treated in a contrapuntal way.
As an introduction to the Etudes we quote Godowsky himself: “The studies’ aim is to develop the mechanical, technical and musical possibilities of piano playing, to expand the peculiarly adapted nature of the instrument to polyphonic, polyrhythmic and polydynamic work and to widen the range of its possibilities in tone colouring.”
Italian pianist Emanuele Delucchi has the rare ability to conquer the immense difficulties of these works and still make music of them. His Godowsky recordings received rave reviews: “Its palette of warm colours remained intact but gained a more incisive attack, allowing Delucchi’s voicing and extraordinary digital facility to be heard at its best…Delucchi is in a class of his own”, Jed Distler of Classicstoday.com wrote: “9/9: every inch a viable contender to the reference versions”.
Previously issued separately on the Piano Classics label, now available as a budget 3-CD set on Brilliant Classics.
Works:
•Godowsky: 53 Piano Studies on the Chopin Études
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