Brahms worked on his First Symphony for many years, a long process driven by extremely diverse musical impulses. The Guardian reviewed Fischer’s recording as “monumental in every sense of the word”. In the Second Symphony, which took him only a summer to compose, Brahms shows us his masterful skill in developing large-scale architecture from the simplest motifs. Iván Fischer refers to the beginning of Brahms’ Third Symphony as being “A life’s story in ten bars – there is no more magnificent opening of a symphony than the first 34 seconds of Brahms’ Third.” Many consider the Fourth Symphony to be the finest of all romantic symphonies. And what a wonderful start: a fragmented melody like a hovering leaf blown up and down by the wind. Iván Fischer: “Never has tenderness been composed more movingly.” BBC Music Magazine gave this recording a Double 5-Star review, noting that “This is an orchestra whose players listen to each other intently.”
Works:
•Brahms: Academic Festival Overture, Op. 80
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