Composed soon after his 30th birthday, Felix Mendelssohn’s Piano Trio No.1 in D minor (Op.49) is, says Robert Matthew-Walker in his informative booklet notes, one of the composer’s “greatest chamber music compositions… a fine and trenchant work, revealing his genius at getting the utmost definition and detail from a small group of instruments”.
Clara Schumann’s Op.17 Piano Trio in G minor elegantly shows off her own admired facility at the keyboard as well as her gift for composing music that “shows no little originality and a charm of melody which is all her own”.
From the beginning of what was to prove to be his late period, Robert Schumann’s F major Second Piano Trio (Op.80) moves from episodes of intense melancholy to Spring-fresh lightness to conclude with an engrossing discussion between all three instruments. Here, says Matthew- Walker, “is Schumann at his most endearingly human, the quintessence of Romanticism from a demonstrably original great composer”.
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