Nakład wyprzedany, ostatni egzemplarz With this programme, Theatre of Voices present an impressive mosaic of sound examples of church singing and polyphonic music, both from the Western European tradition as well as from the tradition of Eastern Europe. The common thread running through them all is something that could be called medieval sensitivity for sound and expression. The title of this CD refers on the one hand to the mostly fragmentary tradition of music from long gone times in manuscripts that are often incomplete or damaged; on the other hand it alludes to the fragmentation of Christianity in Western and Eastern churches.
Works:
Italy•
Laude Novella (Composed By – Anonymous)
• Venite A Laudare (Composed By – Anonymous)
• Credo Deus Deorum (Composed By – Antonio Zacara da Teramo)
• Ave Sancta Mundi Salus / Agnus Dei (Composed By – Matteo Da Perugia)
• Benedictamus (Composed By – Anonymous)
Greece•
Sanctus (Composed By – Anonymous)
• Communion Hymn For Mid-Pentecost (Composed By – John Plousiadenos)
• Canon For The Council Of Florence (Ode 5) (Composed By – John Plousiadenos)
• Enite Ton Kychyrion (Composed By – Manuel Gazes)
Russia•
Dnes Hristos (Composed By – Anonymous)
• Blazhen Muzh (Composed By – Anonymous)
• Vozbrannoy Voyevode (Composed By – Anonymous)
• Izhe Heruvimi (The Cherubic Hymn) (Composed By – Anonymous)
England•
Worldes Blis Ne Last No Throwe (Composed By – Anonymous)
• Beata Viscera (Composed By – Anonymous)
• Quadruple Motet: Salve Sancta Parens (Composed By – Anonymous)
• Salve Virgo Virginum (Composed By – Anonymous)
• Quadruple Motet: Virgo Maria, Patrem Parit (Composed By – Anonymous)
• Sanctus (Composed By – Anonymous)
• Alleluya V. Nativitas 2:57
• Viderunt Omnes (Composed By – Pérotin)