Here’s a set unique on record: Dallapiccola’s song cycles with small ensemble, mostly based on ancient and medieval texts are well-known as a cornerstone of his reputation for the kind of lyrical modernism which flowered in the work of Nono and Berio from the following generation. Like other Italian modernists such as Bruno Maderna, he was no less passionately interested in his cultural heritage represented here by the early-Baroque composers who developed the idea and practice of opera, such as Monteverdi, and Cavalli. He made practical editions for modern performance of many Baroque songs in order to disseminate this music at the time when scholarly interest was just beginning to move beyond academic confines into concert halls and recording studios, at the birth of the historically informed performance movement.
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