Monteverdi, Claudio
Monteverdi: Madrigali, Libro IX
Le Nuove Musiche;
Koetsveld, Krijn
nr katalogowy
The budget price of the six packages cannot be overlooked, but it is not a measure of the exceptional value of Koetsveld’s accomplishment. (J. F. Weber, Mar/Apr 2018) Fanfare Magazine) With this recording the acclaimed ensemble Le Nuove Musiche, led by director Krijn Koetsveld, have at last completed a monumental undertaking nearly a decade in the making: the complete cycle of Claudio Monteverdi’s books of madrigals. Fittingly, the last instalment in this series is the final Ninth Book (Libro IX), which was published posthumously in 1651 and looks back on the breadth of the composer’s career with lighter pieces in the established forms of his day (prima prattica), in Monteverdi’s own innovative style (seconda prattica), and in a new genre that had begun to eclipse the madrigal in Monteverdi’s twilight years. Though not published in his lifetime, the preface suggests that the Ninth Book was indeed compiled by Monteverdi himself, as a mix of madrigals – still contrapuntal, though simple in texture with at most three parts – and examples of this newly popular canzonetta, with its single accompanied melody. In that sense, the Ninth Book captures the transition from polyphony to monody – from the Renaissance to the early Baroque – in miniature.
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Brilliant Classics

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