Brahms’s choral music ranges from the severe magnificence of the Fest- und Gedenk-sprüche to the ravishing opulence of the Op.17 Songs for female voices, horns and harp. Brahms conducted amateur choirs throughout his professional life, both as a useful source of income and because he enjoyed his contact with enthusiastic, amateur music-makers, not least the ladies in his various choirs. It also gave him a chance to explore music of former eras, by Bach, Schütz, Buxtehude and more, which Brahms considered a vital part of his musical heritage and which, practically speaking, he was bringing back to life in a culture that barely knew its own history. We may with some justice speak of Brahms the period-instrument pioneer.
Tutto Verdi - The Operas Vol. 3, 1855-1893 I vespri siciliani, Simon Boccanegra, Un ballo in maschera, La forza del destino, Don Carlo, Aida, Otello, Falstaff
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