kompozytor
Gossec, François-Joseph
tytuł
Gossec: Symphonies op. IV
wykonawcy
Deutsche Kammerakademie Neuss;
Gaudenz, Simon
Gaudenz, Simon
nr katalogowy
CPO 555 263-2
opis
Symphonies from Pre-Revolutionary France • Today the composer François-Joseph Gossec is closely associated with the music of the French Revolution. However, the symphonic cycle being presented here for the first time in complete recorded form was written thirty years prior to 1789. Born on 17 January 1734 in the village of Vergnies, today’s Hainaut (Hennegau) in Belgium, Gossec’s beautiful boy soprano’s voice earned him admission to the church choirs in Walcourt and Ste. Aldegonde in Maubeuge before he became a member of the choir at the Antwerp Cathedral around 1742. He received excellent training in composition and counterpoint as well as in violin and harpsichord, moved to Paris in 1750 or 1751, and is thought to have been hired as a violinist for de la Pouplinière’s orchestra in August 1753. He remained true to this orchestra until the death of his employer in December 1762. Gossec’s some fifty symphonies doubtless make him the most important French symphonist of the second half of the eighteenth century. However, he wrote most of his symphonic works prior to about 1780; after this date the increasing popularity of Haydn’s symphonies in Paris may have caused him to lose interest in this genre. His six Symphonies op. IV appeared in print around 1758. When compared with the first series from 1756, they offer considerable innovations even in purely formal matters: they have four movements, and oboes and/or horns have been added to the instrumentation used in op. III, which was exclusively for strings. The symphonies are distinguished primarily by attention-grabbing initial displays, though the last two form exceptions to the rule. No. 5, the »Pastorella,« has a title indicating that it is a work of pastoral character, that is, of country expression, while No. 6 does not make use of the characteristic stylistic elements, such as long crescendo passages and sudden forte-piano contrasts, presumably imparted to Gossec by Stamitz. In any case, the interpretations by Simon Gaudenz and the Neuss Chamber Academy anticipate future revolutionary times.
nośnik
CD
gatunek
Muzyka klasyczna
producent
CPO
data wydania
03-06-2019
EAN / kod kreskowy
761203526321
(Produkt nie został jeszcze oceniony)
cena 58,00 zł
lubProdukt na zamówienie
Wysyłka ustalana indywidualnie.
Darmowa wysyłka dla zamówień powyżej 300 zł!
Darmowy kurier dla zamówień powyżej 500 zł!
sprawdź koszty wysyłkiProduktu jeszcze nie zrecenzowano, chcesz być pierwszy?
Klienci, którzy kupili ten produkt, kupili również
różni kompozytorzy
Deo Gratias Anglia - Polyphonies Sacrées, Chansons anglaises de la guerre de cent ans
AECD 1218
Verdi, Giuseppe
Tutto Verdi - The Operas Vol. 1, 1839-1846 Oberto, Un giorno di regno, Nabucco, I Lombardi, Ernani, I due Foscari, Giovanni d´Arco, Alzira, Attila
725904
różni kompozytorzy
50th Anniversary Michele Pittaluga Guitar Competition, Alessandria
8.573850
Pozostałe płyty tego kompozytora
różni kompozytorzy
The Parisian Symphony – Gossec, Grétry, Haydn, Krauss, Lebrun …
RIC 357
różni kompozytorzy, Gretry, André-Ernest-Modeste, Gossec, François-Joseph
Gretry, Gossec, Pieltain: Concertos & Symphonies
RIC 242
Pozostałe płyty tego wykonawcy
Handel, George Frideric
Handel: Piano Concertos op. 4 HWV 289-294 (oryg. koncerty organowe)
CPO 777 837-2
Raff, Joachim, Schreck, Gustav, Jadassohn, Salomon
Raff; Schreck; Jadassohn: Wind Serenades
CPO 555 570-2
Janacek, Leos, Elgar, Edward
Elgar: Cello Concerto Op.85 / Janacek: The Tale / Prokofiev: Cello Sonata Op.119
NS 06
Handel, George Frideric
Handel: Piano Concertos Nos. 13 - 16, after the original for organ
CPO 777 854-2
Handel, George Frideric
Handel: Piano Concertos op. 7 (w oryginale koncerty organowe)
CPO 777 855-2
Produkt został dodany do koszyka
Gossec, François-Joseph
Gossec: Symphonies op. IV
1 szt