Brahms’s first connection with choral music came in 1857, and his first appointment in Vienna, in 1863, was to conduct the Singakademie. He premièred A German Requiem in the city and wrote widely for choral forces, taking a variety of poetic source material. Begräbnisgesang (Funeral Hymn) evinces a great feeling of solemnity, whilst Schicksalslied (Song of Destiny) is an urgent, volatile work. Nänie was written as a lament for the death of the painter Anselm Feuerbach, and the Alto Rhapsody has remained one of the greatest works for contralto in the repertoire.
Works: •
Brahms: Alto Rhapsody, Op. 53
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Brahms: Ave Maria, Op. 12
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Brahms: Begräbnisgesang, Op. 13
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Brahms: Gesang der Parzen (Song of the Fates), Op. 89
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Brahms: Nänie von Friedrich Schiller, für Chor und Orchester, Op. 82
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Brahms: Schicksalslied, Op. 54