The three suites all emphasize the polyphonic nature of an instrument that has always (and still today) been considered monodic. Bach's inspiration is evident from the very first notes, and continues in the contrapuntal alternation of several voices, both in a vertical sense, thus of chordal writing, and in a horizontal sense, thus of exchange of voices, lucidly exploiting the difference in timbres, between high and low, using the unique timbre of the viola. Inevitably a child of his time, Reger, too, experienced the human dissent of late Romanticism, and the melancholic, warm but also pungent timbre of the viola reflects this introspection.
A pupil of Bruno Giuranna, Luca Sanzò has performed as soloist and in collaboration with renowned musicians in many of the major concert halls of the world. He is Professor of Viola at the Conservatorium “Santa Cecilia” in Rome.
Works:
•Britten: Elegy for unaccompanied viola
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