Wegmann really seems to move into the interior of her instrument hre clouds of sound contrast beautifully with the clear, sententious tonal language of Veress student Daniel Andres. Lim and Haubensak, on the other hand, listen more to the struck notes in their compositions. While Koch asks the interpreter to interpret the body and string space in a radically noisy way. As a solitary sound find, so to speak, far removed from any piano language. • (FonoForum)
Works:
•Judith Wegmann: Réflexion I
• Daniel Andres: Souvenirs d’un instant I
• Daniel Andres: Souvenirs d’un instant II
• Daniel Andres: Souvenirs d’un instant III
• Daniel Andres: Souvenirs d’un instant IV
• Daniel Andres: Souvenirs d’un instant V
•Judith Wegmann: Réflexion II
• Cyrill Lim: Weben
• Judith Wegmann: Réflexion III
•Edu Haubensak: Manga
•Judith Wegmann: Réflexion IV
•Hans Koch: L’Ombre du Jour