The sonata by Boëllmann is a bold, substantial work in rich romantic idiom. The sonata by Widor is brilliantly written for both instruments, full of passion and blazing virtuosity. The sonata by d’Indy is written in the form of a Baroque suite: prelude, gavotte, air and gigue.
Marina Tarasova is one of the most renowned cellists of today: ‘Her playing is generous in tone, full-blooded in expression, passionate and confident, evidently fired by love for and commitment to the music.’ Gramophone. She is winner of international competitions in Prague, Florence, Paris, and a laureate of the Tchaikovsky competition in Moscow. She began playing the cello at the age of six and studied at the Gnessin School with Alexander Fedorchenko and at the Moscow Conservatoire with Natalia Shakhovskaya. Her vast repertoire spans the 17th century to the present day. She has worked with many renowned musicians, such as Mikhail Pletnev, Mariss Jansons, Gennady Rozhdestvensky, Kurt Masur, Eduard Grach and Yuri Bashmet.
Marina Tarasova’s piano partner is the excellent Ivan Sokolov. The first volume of French Cello Sonatas (BC96566) presented works by Gabriel Pierné (1863-1937), Édouard Lalo (1823-1892) and Charles Koechlin (1867-1959).
Works:
•Boëllmann: Cello Sonata, Op. 40
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