The recent discovery of five hitherto unknown Sonatas for Flute and Basso Continuo by Misón represents a substantial contribution to the Spanish chamber music repertoire of the second third of the 18th century for this instrument, given the scarcity of pieces for flute written by Hispanic composers contemporary to Misón. These sonatas pose interesting technical challenges to the flautist, a proof of Misón's mastery of the flute. The works are highly melodious, charming and brilliantly written for the instrument.
Played on period instruments by flutist Rafael Ruibérriz de Torres, who studied with Wilbert Hazelzet and who played with Gustav Leonhardt, Philippe Herreweghe and Jos van Immerseel. The continuo is played by Isabel Gómez-Serranillos cello and Santiago Sampedro harpsichord (on a double manual harpsichord after Flemish examples by Joop Klinkhamer).
Works:
•Mison: Sonata No. 1 in G major
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