Heinrich Andreas Contius, originally from Halle in Central Germany, was the leading organ builder in the Baltic lands during the second half of the 18th century; his work was particularly appreciated by J.S. Bach. None of his instruments has survived in its original state, but Joris Potvlieghe (Belgium) and Flentrop Orgelbouw (The Netherlands) began an exact reconstruction of Contius’ Liepāja organ to its 1779 state under the management of the Contius Foundation in 2012, using materials and techniques that Contius himself would have employed. The project is unique, as no other instrument by Contius has as yet been reconstructed so meticulously. The organ is characterised by a gentler and more elegant attack that is also somewhat rounder and milder than that of earlier instruments by Gottfried Silbermann and is therefore well suited to the refinements of the galant style. This is the first recording to use the replica of the Contius Liepāja organ in the Sint-Michiel Vredeskerk in Leuven; Bart Jacobs here presents works by composers directly linked to Johann Sebastian Bach as well as to organs built by Heinrich Andreas Contius.
Works:
• Bach, J S: Chorale Prelude BWV642 'Wer nur den lieben Gott lässt walten'
•Bach, J S: Chorale Prelude BWV691 'Wer nun den lieben Gott lässt walten'
•Bach, J S: Keyboard Concerto No. 5 in F minor, BWV1056: II. Largo
•Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004: Chaconne
•Gottfried Kirchhoff: Fantasia & Fughetta BWV904
•Wilhelm Friedemann Bach: Präludium, Largo & Fuge BWV 534 & 1056 / 2
•Georg Philipp Telemann: Andante aus dem Flötenkonzert G-Dur TWV 51: G2
•Johann Gottfried Walther: Concerto per la Chiesa del signor Telemann
•Carl Philipp Emanuel Bach: Orgelsonate d-moll (BWV102 / H. 542.5)
•Johann Gottfried Müthel: Fantasia F-Dur