This multi-panelled work survives as a monument of fifteenth-century art, relating in vivid detail and colour van der Weyden’s dynamic and terrifying account of the world’s final moments.
The nine polyphonic settings recorded here were composed in Europe in themid- to late-fifteenth century and include works by composers such as Johannes Ockeghem, Johannes Regis, Johannes Martini and Antoine Brumel, with each piece thematically tied to an element or figure in the painting.
Works:
•anon.: Ut queant laxis
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