Caccini’s new musical language changed the course of music history and laid the foundations for the modern Opera. In his “Le Nuove Musiche” (the New Music) he eschewed complex counterpoint in favour of a new monodic style, in which a solo voice is supported by a rich continuo, putting the expression of the poetry and its emotions to the foreground.
This new recording contains arias and madrigals from the ground-breaking publication “Le Nuove Musiche” from 1601.
The works presented here are given an authoritative yet highly original interpretation by expert early music group Fantazyas. Alongside their director Roberto Balconi, described as ‘one of the best voices on the countertenor scene’ (L’Opera), the ensemble brings a sweet, pure sound to these overlooked Italian gems.
In the liner notes Roberto Balconi presents an extensive description of the vocal style and musical “affects” of the music.
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