Aguilera adopts a style in which the serious counterpoint of vocal polyphony, of which he was an accomplished master, is infused with elements from popular music and dance forms and rhythms.
Played by Miguel del Barco Díaz, a specialist in early Spanish organ music, on the only surviving historic organ from the time of De Heredia, the Renaissance organ of Santa María de Garrovillas de Alconétar, Cáceres, Spain, the technical specifications of which are included in the booklet.
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