The Naxos series is part of a planned overall survey, and in the solo Concertos the choice of Raphael Wallfisch could hardly have been bettered. He forms an admirable partnership with the City of London Sinfonia, directed from the harpsichord or chamber organ by Nicholas Kraemer, so that, although not using period instruments, the effect is as authentic as you could want. Kraemer’s use of the organ continuo, both in tutti and to underpin the solo cello line (in RV 419, for instance), is most effective, while in Allegros the alert, resilient orchestral strings are a pleasure in themselves. Wallfisch plays with a restrained use of vibrato and a nicely judged expressive feeling, and in the Double Concerto (which he shares with Keith Harvey), there is much bustling interchange in the outer movements, with the soloists answering each other eloquently in the Largo.• Penguin Guide, January 2009
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