kompozytor
Matalon, Martin
tytuł
Matalon: Trame II, IV, VIII
wykonawcy
Les Siècles;
Roth, François-Xavier;
Roth, François-Xavier;
nr katalogowy
ASM 05
opis
Born in Buenos Aires in 1958, Martin Matalon studied at the Boston Conservatory of Music and the Juilliard. Among his many awards, he has also received a Guggenheim fellowship and a Fulbright scholarship to France (1988).
In 1993, having settled in Paris, the composer collaborated for the first time with IRCAM and worked on La Rosa profunda, music for an exhibition at the Pompidou Centre on The Universe of Borges. The following year, IRCAM commissioned a new score for the restored version of Fritz Lang s silent film, Metropolis. After that considerable work, Martin Matalon turned to the universe of Luis Buñuel, consecutively writing scores for three legendary surrealistic films by the Spanish director: Las Siete vidas de un gato (1996), for Un Chien andalou (1927), Le Scorpion (2001) for L Age d or (1931) and Traces II (la cabra) (2005) for Las Hurdes (terre sans Pain) (1932) .
His catalogue also includes a large number of chamber and orchestral works. Begun in 1997, the series of Trames, borderline works between solo concerto writing and chamber music, and Traces, conceived for solo instruments and real time processing, constitutes a sort of compositional diary for their author, forming an important part of his catalogue. Trame IV was recorded live at La Rochelle; Trames II & VIII in Arles in November 2009.
In 1993, having settled in Paris, the composer collaborated for the first time with IRCAM and worked on La Rosa profunda, music for an exhibition at the Pompidou Centre on The Universe of Borges. The following year, IRCAM commissioned a new score for the restored version of Fritz Lang s silent film, Metropolis. After that considerable work, Martin Matalon turned to the universe of Luis Buñuel, consecutively writing scores for three legendary surrealistic films by the Spanish director: Las Siete vidas de un gato (1996), for Un Chien andalou (1927), Le Scorpion (2001) for L Age d or (1931) and Traces II (la cabra) (2005) for Las Hurdes (terre sans Pain) (1932) .
His catalogue also includes a large number of chamber and orchestral works. Begun in 1997, the series of Trames, borderline works between solo concerto writing and chamber music, and Traces, conceived for solo instruments and real time processing, constitutes a sort of compositional diary for their author, forming an important part of his catalogue. Trame IV was recorded live at La Rochelle; Trames II & VIII in Arles in November 2009.
nośnik
CD
gatunek
Muzyka klasyczna
producent
Actes Sud Musicales
data wydania
11-04-2011
EAN / kod kreskowy
794881977024
(Produkt nie został jeszcze oceniony)
cena 58,00 zł
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różni kompozytorzy
WYCOFANY France - Espagne; Chabrier: Espana; Massenet: Suite du Cid; Ravel: Alborada; Debussy: Iberia
ASM 17
Produkt został dodany do koszyka
Matalon, Martin
Matalon: Trame II, IV, VIII
1 szt