Kerll’s complete keyboard works include Toccatas, Suites and instrumental settings of the Magnificat, both for harpsichord and organ. The Toccatas are clearly modelled on those by Frescobaldi, but make even greater demand on the technical ability and virtuosity of the performer, in their rapid scales and instrumental brilliance in free passages, whereas the harmonic language often is coloured by unusual chromatism.
Matteo Messori is one of the leading Baroque keyboard players of Europe; his previous recordings for Brilliant Classics (Kunst der Fuge, BC 94061 and Clavierübung, BC 94201) have been awarded 5 star reviews in international classical magazines (Fono Forum: “…entered the top league of European Bach interpreters”). His Schütz edition (BC 94361) is a recorded landmark for that still neglected master.
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